Whenever I get something to spiel in more than 140 characters, I visit this space. Sadly for me, that happens seldom. Happily for you, I post my narcissistic drivel once in a while. Trust me, you are just wasting your not-so-precious time.

Friday, December 23, 2011

Once upon a year in Hollywood

2011 saw a mixed bag of releases. We take a look at how a few of them fared at the box office....

SEQUEL DUDS AND WINS: Like every year, 2011 too saw numerous sequels flooding the theaters. Almost all of them had one thing in common – the hype. However, very few managed to deliver the box office numbers as well as impress critics. The ones who accomplished this feat were X-Men: First Class, Mission Impossible: Ghost Protocol, Fast and Furious: Fast Five and Harry Potter and The Deathly Hallows: Part 2. Those who found themselves left out in the cold were Pirates of the Caribbean: On Stranger Tides, Hangover II, Twilight Saga: Breaking Dawn and Transformers: Dark of the Moon.

THRILLAAAAA: The thrillers had a field year! A clear majority who hit the theatre came out with flying colors. The list included The Adjustment Bureau, Source Code, Contagion, The Whistleblower and The Ides of March.

SPECIAL EFFECTS: There was a slew of forgettables like Happy Feet Two, The Smurfs 2 and Cars 2. But the ones that left a mark were The Adventures of Tintin, Kung Fu Panda 2, Rango, The Puss in Boots, Winnie the Pooh and The Muppets.

MEANINGFUL CINEMA’S CAMEO: Unlike last year when art took a backseat, this year witnessed a moderate resurgence. The Tree of Life took the cake along with the violent yet stoic Drive. The racial drama The Help was noteworthy. And it’s a shame Melancholia never released!

UNDERRATED vs OVERRATED: Immortals, The Rum Diary, Warrior and Machine Gun Preacher got less than what they deserved – both commercially as well as critically. On the other hand, Super 8, Thor and Crazy, Stupid, Love. somehow received much more than expected.

PS: For the record, this piece appeared on MiD-Day and is my second byline ever!



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