Showing posts with label American TV shows rock because great writers are moving to small screen. Show all posts
Showing posts with label American TV shows rock because great writers are moving to small screen. Show all posts

Saturday, December 17, 2016

Doctor strange

I am a fan of Hugh Laurie on Twitter mainly because he is different from other Hollywood celebrities. Most of them don’t even make an effort to be real. He’s a rarity, squarely putting him in the league of funny fames like Conan O’Brien, Ryan Reynolds, Anna Kendrick, James Blunt, Ricky Gervais, Stephen Colbert, Louis CK (he shouldn’t have quit Twitter), Chrissy Teigen, George Takei,etc. The trouble with being a star—big or small screen or tiny—is you treat stardom like a shoulder devil and forget to loosen up a bit. That’s also marks the distinction between the smart and not-so-smart celebs. Twitter, because of its spontaneous nature, allows one the space to be accepted or ridiculed for their hilarity. If not for social media platforms, we’d never really get a taste of how the popular peeps think and react to a situation. In any case, the dreg in us likes to believe that they aren’t smart because their onscreen lines are written for them! Which is true but it doesn’t mean that they are incapable of normal. We don’t care that Heath Ledger was a junior chess champion but if he was alive and kicking today, maybe he’d have been on Twitter expressing his love for those B&W squares. Going back to Hugh, after watching Dr. House (first season), i’m a fan of the character he plays in the eponymous show too. His professional aptitude, acerbic wit and his alienating personality work as a magnet. But behind all of the charming traits lies a limping person who can come across as sad. He is interested in others’ lives, particularly those who are working close to him. Not interested in gossip as much as he’s invested in ensuring all of his colleagues are doing their jobs well; he clearly doesn’t have a life of his own. Moreover, there is an episode where he confesses to his subordinate that he’d hate it if others pried on his space the way he does to others but then, he doesn’t have a personal life! Dr. House is strange and yet not so strange. His Sherlock-like attitude towards solving a given problem helps you look at yourself in a better light—be you a patient or a colleague. And while he’s at it, he emits a vibe that says that he can’t wait to get out of his clinic duty (read: hospital) as soon as he can. This despite the well-established fact that he doesn’t have anything waiting for him at home. It’s a paradox of being a prisoner. You can’t and don’t want to escape and yet you keep trying. After all, the patients will get better and leave the building sooner or later but the doctors are stuck inside for life. And Dr. House knows that.

Monday, December 14, 2015

Brown & White

I binge-watched the first season of Master of None (which recently earned a Golden Globes nomination) yesterday and i'll suggest that you too do the same. Ten episodes. Half an hour each. Written, directed and acted by Aziz Ansari—mostly. All the episodes are funny but not your falling-off-the-chair funny. For a change, the joke isn't on the people but it's on the society. Otherwise, what we generally witness is a group of people getting targeted for the sake of humour. Fortunately, this Netflix creation is thoughtful and much more real. Yes, certain patches are more restrained (than necessary) and nicer (than usual) but that's also where the novelty lies. The last American show that successfully managed to go this route was Modern Family. I also like the idea of an Indian American comedian wanting to do something different. Although it's quite disturbing to know that his character is named Dev Shah while his onscreen parents—who also happen to be his real parents—speak with a strong Tamil accent. Yes, one can argue that what if his character's forefathers migrated to Tamil Nadu from Gujarat but those who actually migrated from Saurashtra have surnames like Kalastri and Patnoori, not Shah. This anomaly in detail is ironic because Aziz finds white actors playing brown characters in Hollywood films improper. That said, some of his finest jokes happen so subtly in the show that if you don't pay attention, you are to be blamed. It's a good start and it'd be awesome if Master of None continues for some more years. Lastly, i won't be surprised if Aziz is asked to host the white-dominated Oscars in the not-so-distant future.